It’s a windy day today and, while I’d like to be reading a book on economic theory, I’m not. Instead, I find myself replaying last night’s episode of “Downton Abbey” in vivid detail. It’s a show that I’m shocked to discover most of my friends don’t watch and which most of my friends may be shocked to hear that I do. I’d be quick to point out, of course, that there is no need for them to feel quite so stunned. The series appears on PBS’s “Masterpiece Theater” and all of the actors have British accents. This strange confluence of “posh” factors contributes to the show’s reputation as a drama rather than a soap opera and allows me to watch it with unrestrained delight while at the same time retaining my sophisticated self-image.
It will, of course, be another two months before this post appears on my blog and by then, most of my questions will have been answered. (With the exception of the one that was so pressing that I felt forced to investigate via a series of spoiler sites. If you’re interested, the answer is “no”.) By then, I’ll know whether Carson and Mrs. Hughes finally become “an item” and whether the drama with Mary will ever end. (My guess is that it won’t). It will have been revealed whether Mr. Gregson actually does become a German citizen and, if so, whether Lord Grantham will find the act entirely deplorable. (My guess is that he will.) And we’ll know whether Molesley ends up as the Dowager’s butler… but what kind of question is that?
Sadly, this is where my problem begins. I’ve been re-writing stories far longer than I’ve been writing them. Taking pieces of plot lines and projecting them forward to create dramas and adventures of which the original writers never conceived. From Big Bird and Super Grover to Han Solo, Princess Leia, Captain Piccard, and Mr. Spock, fictional characters seem to jump off the screen and into my life, leaving themselves open to my creative reworking of their stories. Like imaginary friends, they accompany me on my journeys and I accompany them on theirs. And, in recent years, a few of the characters from other shows like “Sherlock” and “Downton Abbey” have joined them.
So here I sit, imagining grand story arcs when I ought to be studying. Yes, in my world, Violet feels such sorrow for Molesley’s condition that she takes him on as her butler and elevates him far above his previous heights. Mr. Carson does confess that he loves Mrs. Hughes. (Like viewers haven’t speculated about that for the last two seasons!) And Mr. Bates slugs Mr. Green… in the library… in front of everyone. (Mr. Carson and Lord Grantham will, of course, prevent him from doing anything which might result in further prison time.) So there you have it, a brief introduction to “Downton Abbey” season four as rewritten by me. Time will tell whether it lives up to expectations!